捕捉文化史的鬼影：「破身影」展覽（2017/07/01-09/17）

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「破身影」展覽

參展藝術家 | 余政達、許哲瑜、蘇匯宇
策劃 | 游崴 x 在地實驗

展期 | 2017.07.01 – 09.17
地點 | 台北市立美術館 E展間

此展集合了藝術家許哲瑜、蘇匯宇與余政達三件委託製作的影像裝置，分別回應了台灣1990年代的三個文化史檔案，包括台北空中破裂節（1995）、台灣渥克劇團早年劇碼，與《島嶼邊緣》雜誌一篇關於酷兒身體的對談。展覽以當代眼光重新處理當時以身體官能為基底的文化實踐──關於破敗的身體、踰越的感官、未竟的烏托邦。

三件作品背後的原始文本乍看是零散而不規則的計畫，卻不約而同地涉及了某種混雜的、遊戲的、干擾的、庶民的身體狀態，遙遙相對於當時主流文化場域中雄辯的、系統化的論述。從解嚴前夕的街頭抗爭，到野百合學運之後蓬勃的地下場景，破敗的身體性在大寫政治的解放四周如影隨行，並被武裝為一種反文化的戰略，形式橫跨小劇場、噪音、垃圾藝術、自製刊物、地下漫畫、戶外藝術節與書寫實驗，也形塑了1990年代對於邊緣與反叛的想像。

「破身影」的展題，除了指涉台灣1990年代地下文化關鍵字的「破」（破裂、破爛），也是對「Brocken Spectre」（布羅肯鬼影）的訛譯與誤讀，該詞指稱登山者在頂峰時背對陽光，身體在前方雲霧中投射出的巨大陰影，舊時常被誤認為幽靈。這個橫亙在我們視線前方如鬼魅般的身影，在展覽中變成了一個歷史隱喻──它是我們自身的投影，卻又像是一個如幻術般溢出了主體的幽靈。其中的複義性，怪異地凝結在當年台北空中破裂節中，那個升空失敗的巨大人形氣球。

這個展覽並不著力於再現史實，更像是為了捕捉文化史的鬼影。透過三位藝術家的主觀閱讀，作品將成為破敗身體的歷史迴光，也是對台灣1990年代反文化檔案的改編、致敬與再想像。

持續關注台灣非主流文化場域中各類實踐的「在地實驗」，自1995年成立以來，已累積了大量珍貴的歷史影音與文件。其已進行數年、在去年公開上線的影音檔案庫建置工作，是形塑此展覽視野的重要基礎。

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製作團隊

館長──　　　林平
展覽督導──　余思穎
策展人──　　游崴
策展團隊──　在地實驗
展覽執行──　高如萱、葉杏柔
空間設計──　千鳥藝術有限公司
展場執行──　千鳥藝術有限公司、簡伯勳
佈展小組──　鄭瑞瑜、陳宏圖
視聽技術──　千鳥藝術有限公司
燈光──　　千鳥藝術有限公司、陳品其、曾榮欽
視覺設計──　O.OO Risograph & Design ROOM、簡伯勳
行銷推廣──　蔣雨芳、何冠緯
攝影──　　陳泳任
展覽紀錄──　凹焦影像工作室、廖健男
總務──　　　饒德順、張銘育
會計──　　　蔡儀君、周美蓉

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✦ 台北市立美術館訪談影片 https://youtu.be/439nqrrCXu4

✦ 座談會
重新破裂，或如何從漫長的九〇年代離開？（2017/7/9，台北市立美術館）
錄影：https://youtu.be/KSIb43daIb4

主持人：游崴（「破身影」策展人）
與談人：
- 許哲瑜（《重新破裂》藝術家）
- 陳琬尹（《重新破裂》共同創作者）
- 陸君萍（1995台北空中破裂節參與者、《街聲》新媒體發展部資深副總經理）
- 張賜福（在地實驗總監）
- 葉杏柔（在地實驗企劃統籌、「破身影」展覽協調）

✦ 愛樂電台「藝術相對論」專訪 錄音檔（2017.07.07 播出）

✦ 展覽專輯

博客來☛http://www.books.com.tw/products/0010763482
Amazon☛https://www.amazon.com/dp/9860488657
更多內容

✦「破身影」展覽評論 link

✦「破身影」展覽訪談影片link

✦「破身影」入圍第十六屆台新獎 link

*北美館展訊網頁

Broken Spectre

Participating Artists | Yu Cheng-Ta, Hsu Che-Yu, Su Hui-Yu
Curator | Yu Wei
Curatorial Team | ET@T

Date | 2017.07.01 – 09.17
Venue | Taipei Fine Arts Museum (E Gallery)

The three commissioned video installations by Hsu Che-Yu, Su Hui-Yu and Yu Cheng-Ta in this exhibition respectively echo three cultural productions in Taiwan during the 1990s: the Taipei Breaking Sky Festival (1995), the plays by the Taiwan Walker Theatre in its early days, and an article featuring a discussion on the queer body in Isle-Margin, a magazine of cultural criticism. With the perspectives from today, this exhibition seeks to revisit, also to reimagine the specific cultural practices which was shaped by the physical senses, the practices related to the wrecked body, transgressive sensations and unmaterialised utopia.

The primary texts on which these three works are based are only loosely correlated at first glimpse, yet they coincidentally embody a kind of hybridised, playful, interfering, vernacular state that contrast starkly with the eloquent, systemised discourses of the mainstream culture. Since the 1980s, the shadow of the broken corporeality has crept up on the liberation of politics from the street protests emerged around the years of the lifting of martial law, to the exuberant underground scene after the Wild Lily Student Movement in 1990. Such moment contributed to the counter-culture strategy executed in a riotous profusion of forms ranging from “little theatre,” noise performance, junk art, zine, underground comix, outdoor arts festival and writing experiment, which also inspired the imagination of the periphery and rebellious practices throughout the 1990s.

Broken Spectre, the title of this exhibition, not only refers to the keyword pò (broken / to break) of Taiwan’s underground culture in the 1990s, but also hints to a similar term, “Brocken Spectre,” a phenomenon which occurs when the sun shines from the back of a climber who looks down from the peak into the mist. His/her shadow thus magnifies through the mist, which was once mistaken to be a spectre in the old times. This exhibition takes this metaphor to explore the huge, ghost-like silhouette of history—it is the shadow of our body, yet somehow appears like a spirit summoned from a subject through trickery. It is oddly reminiscent of the huge balloon puppet which burst within seconds of being hoisted at the Taipei Breaking Sky Festival.

This exhibition is dedicated not so much to representing historical facts as to capturing the spectre of cultural history. Through the artists’ subjective reading of these original texts, their works are not simply the terminal lucidity of the broken corporeality, but also the tribute to as well as the adaptation and re-imagination of Taiwan’s culture archives in the 1990s.

As the curatorial foundation of the exhibition, ET@T has long been concerned with the myriads of practices in Taiwan’s non-mainstream cultures. A great amount of historical audio-visual files and documents has been accumulated over the years since its founding in 1995. Besides, the ET@T Archive has been openly accessible online since 2016 after years of elaborate preparation, upon which this exhibition’s horizons rest.

*TFAM page

PRODUCTION TEAM

Director──　　　　　　 Lin Ping

Exhibition Supervisor── Sharleen Yu

Exhibition Coordinator── Yu Wei

Curatorial Team──　　　 ET@T

Exhibition Coordinators──Kao Ju-hsuan, Yeh Hsing-jou

Space Design──　　　　 Thousand Birds Art Installation Engineering and Design

Design Coordinators──　 Thousand Birds Art Installation Engineering and Design, Chien Bo-hsin

Installation Team──　　　Cheng Juei-yu, Chen Hung-tu

AV Technician──　　　　 Thousand Birds Art Installation Engineering and Design

Lighting──　　　　　　　 Thousand Birds Art Installation Engineering and Design, Chen Pin-ji, Tseng Jung-chin

Graphic Designer──　　　 O.OO Risograph & Design ROOM, Chien Bo-hsin

Marketing and Information Technology──Chiang Yu-fang, Ho Guan-wei

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✦ Interview & Documentary of Broken Spectre, Taipei Fine Arts Museum: https://youtu.be/439nqrrCXu4

✦ Panel | Re-rupture, or how do we depart from the long 1990s? (2017.07.09, Taipei Fine Arts Museum)
https://youtu.be/KSIb43daIb4
Moderator: Yu Wei
Panelist:
–Hsu Che-yu (Artist of “Re-rupture,” 2017)
–Chen Wan-yin (Co-creator of “Re-rupture,” 2017)
–Lydia Lu (participant of Taipei Breaking Sky Festival, 1995; Sineor Deputy General Manager, New-media development sector, StreetVoice)
–Alf Chang (Director, ET@T)
–Yeh Hsing-jou (Chief Coordinator, ET@T; coordinator, Broken Spectre)

✦ Broken Spectre exhibition catalogue

Amazon☛https://www.amazon.com/dp/9860488657
more content

✦ reviews of Broken Spectre link

✦ documentary of Broken Spectre link

✦ Broken Spectre nominated by the 16th TAISHIN ARTS AWARD link

♡ 我們要對以下個人、機構團體表達誠摯的謝意，因為他們的慷慨支持與協助，使本策展計畫順利完成。感謝名單

♡ We would like to express our heartfelt thanks to the following individuals, organizations and corporations whose generous support and cooperation made this curatorial project possible. list of special thanks

王永廷 Herman Wang
王仲堃 Wang Chung-kun
王柏偉 Wang Po-wei
王啟光 Wang Chi-kuang
王凱薇 Wang Kai-wei
王萱 Wang Hsuan
朱威 Chu Wei
吳中煒 Wu Chung-wei
李幼鸚鵡鵪鶉小白文鳥 Chocorockxin Lee
林志鴻 Tony Lin
林其蔚 Lin Chi-wei
林理惠 Marsmeimei
邱威傑 Chiu Wei-chieh
姚立群 Yao Lee Chun
姚瑞中 Yao Jui-chung
施叡凝 Ray Shih
珂琳 Corrine Chuang
紀大偉 Chi Ta-wei
音地大帝 Indie DaaDee
徐文瑞 Manray Hsu
秦雅君 Chin Ya-chun
高子衿 Kao Tzu-chin
許耀文 Hsu Yao-wen
陳小雜 Chen Hsiau-tsa
陳奎昇 Chen Kuei-sheng
陳梅毛 Chen Mei-mao
陳斌全 Chen PinChuan
陸君萍 Lydia Lu
黃亞歷 Huang Ya-li
葉人瑜 Ye Ren-yu
詹明芳 Chan Ming-fang
劉吉雄 Asio Chi-Hsiung Liu
劉振祥 Liu Chen-hsiang
鄭美雅 Cheng Mei-ya
鄭德恩 Enoch Cheng
鄭慧華 Amy Cheng
簡秀枝 Katy Shiu-chih Chien
羅悅全 Jeph Lo

台灣渥克劇團 Taiwan Walker Theatre
二曲藝苑 Hyperbolic Art
先行一車 Senko Issha
社團法人台灣全民計程車司機協會 Taiwan Chuan Ming Taxi Drivers Association
新北市協助影視拍攝與發展中心 New Taipei City Film Assist and Development Center
新北市政府 New Taipei City
新北市政府文化局 Cultural Affairs Department, New Taipei City
財團法人數位藝術基金會 Digital Art Foundation
數位荒原 No Man’s Land
噪咖藝術有限公司 noiseKitchen Art Co.,Ltd.
後設多媒體設計有限公司 A COPY OF A COPY

IMAGE- VENUE & PANEL

「破身影」展覽展場 Venue of Broken Spectre

蘇匯宇 | 〈屁眼・淫書・速克達〉，多頻道錄像裝置，2017。版權由藝術家所有。Su Hui-Yu | “The Walker ,” multi-channel video installation, 2017. Courtesy of the artist.

許哲瑜｜〈重新破裂〉，單頻道錄像裝置，2017。版權由藝術家所有。Hsu Che-Yu | “Re-rupture,” single-channel video installation, 2017. Courtesy of the artist.

許哲瑜｜〈重新破裂〉，單頻道錄像裝置，2017。版權由藝術家所有。Hsu Che-Yu | “Re-rupture,” single-channel video installation, 2017. Courtesy of the artist.

余政達 | 〈倘若（島嶼的）身體是一個優秀的（邊緣）粽子〉。雙頻道錄像裝置，2017。版權由藝術家及Chi-Wen畫廊所有。Yu Cheng-Ta | “If the (Island’s) Body Is a (Marginalized) Rice Dumpling Par Excellence,” two-channel video installation, 2017. Courtesy of the artist and Chi-Wen Gallery.